
Here’s the thing about posing for boudoir photos: it’s not your job to know how to do it.
The photographer’s job is to direct you. Your job is to follow the direction and not fight it. That said, understanding how posing works tends to make the whole experience easier.

Good posing looks natural. It doesn’t feel natural.
The positions that photograph well require specific, deliberate choices that feel nothing like how you stand in everyday life. If a pose feels a bit strange in the moment, that doesn’t mean it looks strange in the photo. Often it’s the opposite, the shots that felt most uncomfortable during the session are frequently the ones clients love most at the reveal.
Sabrina directs every single shot with specific instruction. What that typically sounds like:
You follow the instruction. Sabrina adjusts through the lens and gives the next one. This is why you genuinely don’t need to know how to pose before you arrive.

Lying down.
Some of the most flattering boudoir images are shot with the subject lying on a bed or surface. Even a slight shift in how you position your hip or shoulder changes what the camera sees significantly.
Over the shoulder.
Standing or sitting and looking back toward the camera. Works with almost every body type and produces images that feel intimate without being overtly exposing.
Sitting poses.
The positioning of legs matters enormously here. Where your weight falls, how your knees are angled, where your hands rest, each is adjusted shot by shot.
Detail shots.
Close-up shots of hands, feet, a curve of the back. These add variety to an album and allow clients who feel uncertain about full-body shots to still have beautiful images.
Elongating the neck.
The chin forward and down direction you’ll hear often. Most people pull their chin back when a camera is on them, which creates the appearance of a shorter neck. Chin forward and slightly down does the opposite.
Creating space between the arm and body.
Arms pressed flat against the torso flatten everything. A small amount of space creates dimension.
Active hands.
Hands doing nothing tend to look awkward. Hands lightly resting on something look purposeful. Sabrina will position these specifically.
Controlled jaw tension.
Soft jaw means letting go of tension in the jaw. It immediately changes an expression from stiff to present.
Breath.
Taking a full breath before a shot settles the body. Sabrina will often ask for this, it releases tension in the shoulders and face.

The most common mistake is trying to perform an expression. Both smiling because you think you should and going serious because it looks more sophisticated tend to produce images that look like you’re trying to do something with your face.
What works better: expression that comes from something real in the moment. Sabrina will sometimes say something that produces a genuine reaction. Genuine laughter photographs well. These are often the shots clients are most surprised by.
Every session follows the same arc. The first twenty minutes are the most self-conscious. By the halfway point, something shifts, people start to relax into the direction rather than working against it.
If you’re in the first twenty minutes and feeling like you’re doing it wrong, you’re not doing it wrong. You’re just at the start of the session. [More on managing the awkwardness: /will-i-feel-awkward-at-boudoir-session]
You don’t need to look up posing tutorials before your session, practice poses in the mirror, or arrive knowing what looks good on your body. All of that is Sabrina’s job.
The most helpful thing you can do is read the preparation guide [/how-to-prepare-for-boudoir-session] and arrive having eaten breakfast.
[First-time session guide: /first-time-boudoir-session-what-to-expect] [Enquire: /boudoir-photography-geelong]
Apricot Aura is a private boudoir photography studio in central Geelong, Victoria. Session fee $599.
"Some chapters deserve more than a quick photo."
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